Pagode is a popular music genre in Rio de Janeiro, Brazil that originated in the 1970s. It emerged as a subgenre of samba and quickly gained recognition as a distinct style known for its joyful atmosphere. Pagode has become a staple of Brazilian music, with its community-centric nature. Pagode started as a joyful gathering with food, music, dance, and fun. In 1978, singer Beth Carvalho discovered this music, enjoyed it right away, and recorded songs by artists like Zeca Pagodinho.
MUSICALITY
Pagode is characterized by its percussion patterns, featuring instruments like the pandeiro (tambourine), tamborim (small hand drum), cavaquinho (small guitar-like instrument), and the surdo (bass drum).
Vocals play a significant role in pagode, with multiple singers harmonizing and taking turns to sing verses and choruses. The genre often incorporates call-and-response patterns, encouraging audience engagement and creating a sense of unity and celebration.
THEMES
Pagode lyrics often revolve around themes of love, relationships, friendship, and everyday life. The genre's lyrics are known for their relatability and storytelling, capturing the emotions and experiences of regular people. Pagode songs can be romantic, humorous, or reflective, portraying the ups and downs of human relationships and the joys of shared moments.
For example, the song "Deixa a Vida me Levar" by Zeca Pagodinho is a popular song that translates to "Let Life Take Me." The lyrics convey a carefree and optimistic attitude towards life.
FAMOUS ARTISTS
Pagode has given rise to many talented artists who played a big role in making the music style popular and developing it over time. Some important pagode figures include the legendary Zeca Pagodinho, along with other significant groups and artists like Grupo Revelação, Fundo de Quintal, Exaltasamba, Sorriso Maroto, Grupo Bom Gosto, and Péricles. These musicians not only found success in the music business but also became cultural symbols, embodying pagode through their passionate performances and memorable songs.
